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The B 52s

The B 52s can be booked through this site. The B 52s entertainment booking site. The B 52s is available for public concerts and events. The B 52s can be booked for private events and The B 52s can be booked for corporate events and meetings through this The B 52s booking page.

Unlike most middle agents that would mark up the performance or appearance fee for The B 52s, we act as YOUR agent in securing The B 52s at the best possible price. We go over the rider for The B 52s and work directly with The B 52s or the responsible agent for The B 52s to secure the talent for your event. We become YOUR agent, representing YOU, the buyer.

In fact, in most cases we can negotiate for the acquisition of The B 52s for international dates and newer promoters providing you meet professional requirements.

The B 52s Biography

The first of many acts to cement the college town of Athens, GA, as a hotbed of alternative music, the B-52's took their name from the Southern slang for the mile-high bouffant wigs sported by singers Kate Pierson and Cindy Wilson, a look emblematic of the band's campy, thrift-store aesthetic. The five-piece group, which also included founding members Fred Schneider, guitarist Ricky Wilson (Cindy's older brother), and drummer Keith Strickland, formed in the mid-'70s after a drunken evening at a Chinese restaurant; the bandmembers had little or no previous musical experience, and performed most of their earliest shows with taped guitar and percussion accompaniment. After pressing up a few thousand copies of the single Rock Lobster, the B-52's traveled to the famed Max's Kansas City club for their first paying gig. Subsequent appearances at CBGB's brought the group to the attention of the New York press, and in 1979, they issued their self-titled debut album, a collection of manic, bizarre, and eminently danceable songs which scored an underground club hit with a reworked version of Rock Lobster. The following year, they issued Wild Planet, which reached the Top 20 on the U.S. album charts; Party Mix!, an EP's worth of reworked material from the band's first two proper outings, appeared in 1981. 1982's Mesopotamia arose out of a series of aborted sessions with producer David Byrne which saw the B-52's largely abandon their trademark sense of humor, a situation rectified by the next year's Whammy!, a move into electronic territory. After a Schneider solo LP, 1984's Fred Schneider & the Shake Society, the group returned to the studio to record 1986's Bouncing Off the Satellites. On October 12, 1985, however, Ricky Wilson died; though originally his death was attributed to natural causes, it was later revealed that he had succumbed to AIDS. In light of Wilson's death, the group found it impossible to promote the new album, and they spent the next several years in seclusion. In 1989, the B-52's finally returned with Cosmic Thing, their most commercially successful effort to date. Marked by Strickland's move from drums to guitar and club-friendly production from Don Was and Nile Rodgers, the album launched several hit singles, including the party smash Love Shack, Roam, and Deadbeat Club. In 1990, Cindy Wilson retired from active duty, leaving the remaining trio to soldier on for 1992's Good Stuff. A year later, dubbed the BC-52's, they performed the theme song for Steven Spielberg's live-action feature The Flintsones. Wilson returned to the group for a tour supporting the release of 1998's hits collection Time Capsule. ~ Jason Ankeny, All Music Guide Written by Jason Ankeny

Book The B 52s here!

Book The B 52s for your next event! Would you like to have The B 52s perform at your next corporate event, party or concert? Simply fill out the simple interest form below, and we’ll start the booking process.


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The B 52s Booking Agent

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Entertainment Resource Group provides talent acquisition services and concert management. We DO NOT claim to represent ourselves as the exclusive agent, representative or management of all of the artists on this site. We are the Buyers Agent. We act on YOUR behalf for talent acquisition, concert management and event production. All photos/images are property of their respective owners and used for information and reference only. All artist names fall under fair use laws. Images may not be copied, modified or reused. (New Tulip)

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