Red Hot Chili Peppers
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Red Hot Chili Peppers Biography
Few rock groups of the '80s broke down as many musical barriers
and were as original as the Red Hot Chili Peppers. Creating an
intoxicating new musical style by combining funk and punk rock together
(with an explosive stage show, to boot), the Chili Peppers spawned a
slew of imitators in their wake, but still managed to be the leaders of
the pack by the dawn of the 21st century. The roots of the band lay in
a friendship forged by three school chums, Anthony Kiedis, Michael
Balzary, and Hillel Slovak, while they attended Fairfax High School in
California back in the late '70s/early '80s. While Balzary and Slovak
showed great musical promise (on trumpet and guitar, respectively),
Kiedis focused on poetry and acting during his high school career.
During this time, Slovak taught Balzary how to play bass, while the duo
encouraged Kiedis to start putting his poetry to music, which he soon
did. Influenced heavily by the burgeoning L.A. punk scene (the Germs,
Black Flag, Fear, Minutemen, X, etc.) as well as funk
(Parliament-Funkadelic, Sly & the Family Stone, etc.), the trio
began to rehearse with another friend, drummer Jack Irons, leading to
the formation of Tony Flow & the Miraculously Majestic Masters of
Mayhem, a group that played strip bars along the sunset strip during
the early '80s. It was during this time that the quartet honed their
sound and live act (as they stumbled across a stage gimmick that would
soon become their trademark -- performing on-stage completely naked,
except for a tube sock covering a certain part of their anatomy). By
1983, Balzary had begun to go by the name Flea, and the group changed
their name to the Red Hot Chili Peppers.
Word spread quickly about the up-and-coming band, resulting in a
recording contract with EMI. But before the Chili Peppers could begin
work on their debut, Flea and Kiedis were dealt a disappointing blow
when both Slovak and Irons announced that they were leaving to focus
more on another band they were in, What Is This. With replacement
members Jack Sherman (guitar) and Cliff Martinez (drums) filling in,
the Peppers released their self-titled debut in 1984. But the absence
of the two original members showed, as the album failed to capture the
excitement of their live show. While the album didn't set the world on
fire sales-wise, the group began to build a dedicated underground
following with college radio buffs. By 1985, What Is This was kaput
(after issuing a single self-titled album), as Slovak and Irons
returned back to the Peppers, resulting in the George Clinton-produced
Freaky Styley. While the album was an improvement over its predecessor,
it still lacked the fire of the band's in-concert experience, a problem
that would finally be solved with their next album, 1987's The Uplift
Mofo Party Plan. The album was the group's first to make an impression
on the charts, and they followed it up a year later with stopgap
five-track release, The Abbey Road EP, in 1988. But just as the world
was warming up to the Peppers, tragedy struck when Slovak died from a
heroin overdose on June 25, 1988.
In the wake of Slovak's death, Irons left the group for the second and
final time, while Kiedis (who was also battling drug addiction at the
time) and Flea decided to soldier on. After a new lineup consisting of
former Parliament guitarist Blackbyrd McKnight and former Dead Kennedys
drummer D.H. Peligro didn't work out, the duo found worthy replacements
in newcomers John Frusciante and Chad Smith. The new-look Chili Peppers
hit pay dirt straight away, as their first album together, 1989's
Mother's Milk, became a surprise hit due to MTV's exposure of their
videos for a cover of Stevie Wonder's Higher Ground and a song about
their fallen friend Slovak, Knock Me Down, as the album was certified
gold by early 1990. The group knew that their next release would be the
most important one of their career, so they moved into a
mansion-turned-recording studio with producer Rick Rubin to work on
what would become their most successful release yet, the stripped-down
Blood Sugar Sex Magik (their first for the Warner Bros. label). The
album became a monster hit upon its September 1991 release (going on to
eventually sell a staggering seven million copies in the U.S. alone),
as it spawned such hits as Give It Away and the group's first Top Ten
single, Under the Bridge.
But not all was well in the Chili Peppers camp. Like his predecessor,
Frusciante had become addicted to hard drugs, and abruptly left the
band mid-tour in early 1992. Undeterred, the band enlisted new member
Arik Marshall, and headlined Lollapalooza II in the summer. When the
band returned to the studio to work on their sixth release overall, it
quickly became apparent that Marshall didn't fit in, and was replaced
by Jesse Tobias. But before Tobias could record a note with the group,
he was handed his walking papers as well, and former Jane's Addiction
guitarist Dave Navarro signed on. After a layoff of four years, the
Peppers' much-delayed follow-up to BSSM was released in 1995, One Hot
Minute. While the album was a sizeable hit, it failed to match the
success and musical focus of its predecessor, as it became apparent
during the album's ensuing tour that Navarro wasn't fitting in as well
as originally hoped, and left the band in early 1998.
After Frusciante had left the group, he released a pair of obscure solo
releases, 1995's Niandra Lades and Usually Just a T-Shirt and 1997's
Smile from the Streets You Hold, yet rumors circulated that the
guitarist was homeless, penniless, and sickly with a death-defying drug
habit. After checking himself into rehab and putting his demons behind
him, Frusciante emerged once again refocused and re-energized, and
promptly accepted an invitation to rejoin the Peppers once more. The
group's reunion album, 1999's Californication, proved to be another
monster success, reconfirming the Chili Peppers as one of alternative
rock's top bands. The band put in a quick guest appearance on
Fishbone's Psychotic Friends Nuttwerx before hitting the road to
support the album. The following months found the band getting involved
in bizarre situations and controversies. First, their refusal to play
songs from One Hot Minute during the tour was an unpopular decision
with some fans and a sore spot for Dave Navarro. Next, they reignited a
personal feud between Kiedis and Mr. Bungle singer Mike Patton by
refusing to play a series of European concerts with Bungle. Patton
responded with a tribute show for the Peppers, where Bungle mocked
their stage moves, faked shooting up heroin, and imitated Kiedis'
comments about Patton. They also played the ill-fated Woodstock '99
festival, where their headlining performance was met with piles of
burning rubble and a full-scale riot. Tours with the Foo Fighters and
Pearl Jam brought them into the next year without problems, but they
stepped off the road after a planned stop in Israel was halted due to
security worries. They returned to the studio in November of 2001 and
by the summer of 2002 they had a new album ready to drop, By the Way.
Warner Brothers released a Greatest Hits compilation in 2003, followed
by a chart-topping two-CD album of all-new material, Stadium Arcadium,
in 2006. ~ Greg Prato, All Music Guide
Written by Greg Prato