Joan Jett And The Blackhearts
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Joan Jett And The Blackhearts Biography
Liberated from the Runaways -- the '70s all-girl teen rock group
masterminded by impresario Kim Fowley -- lead guitarist Joan Jett
brought her own punk attitude to the Gary Glitter school of
glam-pop-metal. What you see is what you get with her first two albums:
No, Jett doesn't give a damn 'bout her bad reputation and yes, she
loves rock & roll. Both discs are lean rock machines, thanks to a
mix of inspired covers ( Crimson and Clover ) and po-faced,
jackhammer-simple originals (the title tracks). Album finds
Jett stretching her self-imposed boundaries a bit (see her cover of Sly
& the Family Stone's Everyday People ). She retrenches on Good Music;
the title track is a backward-gazing Beach Boys tribute. A cover of
Fun, Fun, Fun fares better, though the best tracks are originals this
time: This Means War, Just Lust. Up Your Alley brings the
chartwise song doctor Desmond Child into the picture, and Jett connects
with several of the renowned Bon Jovi collaborator's meaty hooks -- she
turns a by-the-numbers heartbreak anthem ( I Hate Myself for Loving
You ) into a rocking therapy session. The Hit List is entirely
composed of covers: newly recorded, if not exactly fresh. There are no
surprises, and no letdowns; typical Joan Jett, in other words. Notorious -- a competent but dull set -- could use a few Hit List leftovers.
The '90s saw several Jett reinventions. Even during waning popularity,
Jett's Blackheart Records label made small pressings for hard-core
devotees, and this dedication to her tougher-than-leather music and
fanbase would later pay off. Grungy guitars replaced the usual power
chords on Pure and Simple,
which witnessed the original riot-chick and Activity Grrrl teaming up
with Bikini Kill's Kathleen Hanna and L7's Donita Sparks and Jennifer
Finch. The grrrl-power movement undoubtedly led to a new generation of
fans, with the release of retrospectives like Flashback, a collection of rarities, and Fit to Be Tied, a greatest-hits compilation. Radical feminism informed the badass babe's next incarnation: Fetish
found a buff-and-butch Jett demanding latex and rough sex on the title
track. But the inclusion of bawdier bubblegum covers like Wooly Bully
and Hanky Panky demonstrated that when it comes to raunchy
rock-writing, veiled sexuality trumps overt sleaze any day. (CARLA
SPARTOS)