A3
A3 can be booked through this site. A3 entertainment booking site. A3
is available for public concerts and events. A3 can be booked for
private events and A3 can be booked for corporate events and
meetings through this A3 booking page.
Unlike most middle agents that would mark
up the performance or appearance fee for A3, we act as YOUR agent in
securing A3 at the best possible price. We go over the rider for
A3 and work directly with A3 or the responsible agent for
A3 to secure the talent for your event. We become YOUR agent,
representing YOU, the buyer.
In fact, in most cases we can negotiate for
the acquisition of A3 for international dates and newer promoters
providing you meet professional requirements.
A3 Biography
Alabama 3 was the oddest musical outfit to arise from late-'90s
London. They were also the most original. The band's origins are
shrouded in urban myth -- the band likes to claim that the three core
members met in rehab, while their Southern accents have many believing
they are from the U.S. state of Alabama, although it appears vocalists
Rob Spragg and Jake Black met at a London rave when Spragg heard Black
singing Hank Williams' Lost Highway. Bonding, they set out about
creating an agenda of Americana, electronica, leftist politics, and
laughter. Joined by DJ Piers Marsh, the trio issued two 12 dance
singles that combined their interest in gospel and country music, yet
these went over the heads of the London dance scene. In Italy, where
Spragg and Black began singing Howlin' Wolf songs over Marsh mixes, the
idea of the band began to take shape and back in Brixton, South London,
they recruited a crew of musicians to shape their vision. This,
combined with brilliantly theatrical live shows, meant the band
attracted a huge South London following long before they had a record
deal.
Signed to One Little Indian, their 1997 debut, Exile on Coldharbour
Lane, was a groundbreaking work that effortlessly fused gospel,
country, blues, and house music. Dubbed chemical country, Alabama 3
broke down the barriers between line dancers and ravers. The band's
penchant for absurdity was displayed in Spragg and Black's insistence
on singing, rapping, and preaching in deep Southern accents alongside
samples of cult leader Jim Jones preaching Maoist philosophy and the
renaming of all members -- Spragg became the Reverend Larry Love; Black
became D. Wayne Love. Yet the songs were strong and imaginative and
their observations on contemporary U.K. culture were spot-on: country
and blues were used to look at the excesses of dance culture -- all
with a pumping 808 beat behind them. The band was picked up on by U.K.
roots DJs Charlie Gillet and Andy Kershaw, but the U.K. music press, at
the height of its infatuation with Britpop, ignored the group or
derided them as a novelty. Fortunately, U.S. audiences displayed a
greater degree of irony, and cult TV series The Sopranos employed the
band's Woke Up This Morning as its theme music. Unfortunately,
country-lite vocal outfit Alabama sued over the group's name, which
means in the U.S. Alabama 3 is now known as A3.
Album number two, La Peste, followed in 2000 and found the band in more
muted form. Again, the gospel-country-blues axis was there and the
shows were wonderfully outrageous, but it appeared that two years of
touring and a stronger awareness of the mounting casualties of rave
culture and New Labor Britain had made the band wear a bleaker face.
Where their debut cheekily nodded at the Stones' seminal double album,
La Peste shared with it a bleak, murky sound that demanded the listener
dig into the songs to discover their meaning. In 2007, with a
continuing reluctance to conform, the band completed an equally dark
and wonderfully uncompromising album titled Tha Preview. Unfortunately,
it's doubtful that A3 will shake loose their cult status anytime soon,
considering that their constant mashing of opposing genres results in a
tremendously original soundscape, and this makes it nearly impossible
to classify the band or nail it down to a single specific genre. ~
Garth Cartwright, All Music Guide
Written by Garth Cartwright