Booking Agent - Entertainment Booking Agents, Concert Management, Corporate Entertainment - Entertainment Resource Group, inc.

Search Artist Now
         THE ENTERTAINMENT BOOKING RESOURCE

Eurythmics

Eurythmics

Eurythmics can be booked through this site. Eurythmics entertainment booking site. Eurythmics is available for public concerts and events. Eurythmics can be booked for private events and Eurythmics can be booked for corporate events and meetings through this Eurythmics booking page.

Unlike most middle agents that would mark up the performance or appearance fee for Eurythmics, we act as YOUR agent in securing Eurythmics at the best possible price. We go over the rider for Eurythmics and work directly with Eurythmics or the responsible agent for Eurythmics to secure the talent for your event. We become YOUR agent, representing YOU, the buyer.

In fact, in most cases we can negotiate for the acquisition of Eurythmics for international dates and newer promoters providing you meet professional requirements.

Eurythmics Biography

Eurythmics were one of the most successful duos to emerge in the early '80s. Where most of their British synth pop contemporaries disappeared from the charts as soon as new wave faded away in 1984, Eurythmics continued to have hits until the end of the decade, making vocalist Annie Lennox a star in her own right, as well as establishing instrumentalist Dave Stewart as a successful, savvy producer and songwriter. Originally, the duo channelled the eerily detached sound of electronic synthesizer music into pop songs driven by robotic beats. By the mid-'80s, singles like Sweet Dreams (Are Made of This) and Here Comes the Rain Again had made the group into international stars, and the group had begun to experiment with their sound, delving into soul and R&B. As the decade wore on, the duo's popularity eroded somewhat -- by the late '80s, they were having trouble cracking the Top 40 in America, although they stayed successful in the U.K. During the early '90s, Eurythmics took an extended hiatus, as both Lennox and Stewart pursued solo careers.
The origins of Eurythmics lay in the Tourists, a British post-punk band of the late '70s formed by Lennox and Stewart. The pair met in London while she was studying at the Royal Academy of Music. Stewart had recently broken up his folk-rock group Longdancer and was writing songs with guitarist Pete Coombes. Immediately after meeting, Stewart and Lennox became lovers and musical partners, forming a group called Catch with Coombes, which quickly evolved into the Tourists in 1979. Though the band only was together for two years, the Tourists released three albums -- The Tourists, Reality Effect, and Luminous Basement -- which all were moderate hits in England; two of their singles, I Only Want to Be With You and So Good to Be Back Home Again, became Top Ten hits.

During 1980, Lennox and Stewart's romantic relationship dissolved and, along with it, so did the Tourists. Though they were no longer lovers, Lennox and Stewart decided to continue performing together under the name Eurythmics and headed to Germany to record their debut album. Featuring support from various members of Can and Blondie drummer Clem Burke, among others, the duo's debut, In the Garden, was released in 1981 to positive reviews, but weak sales. Following the failure of In the Garden, Stewart set up a home studio and Eurythmics recorded a second album, Sweet Dreams (Are Made of This), which was released in 1983.

Love Is a Stranger was the first British single pulled from the album, and it became a minor hit in the fall of 1982, a few months before the LP appeared. The title track was released as a single in the spring, and it rocketed to number two on the U.K. charts; shortly afterward, it climbed to number one on the American charts. Sweet Dreams (Are Made of This) was helped enormously by its stylish, androgynous video, which received heavy airplay from MTV, who had only recently become a major influence within the music industry. After Sweet Dreams, Eurythmics re-released Love Is a Stranger and it reached the U.K. Top Ten (number 23 U.S.), beginning a string of hit singles that ran for a year. Touch, the duo's third album, was released toward the end of 1983 and continued their success throughout 1984, spawning the hits Who's That Girl? (number three, U.K.; number 21, U.S.), Right by Your Side (number ten, U.K.; number 29, U.S.), and Here Comes the Rain Again (number eight, U.K.; number four U.S.). During the course of 1984, Annie Lennox's theatrical gender-bending was becoming increasingly notorious, which helped their record sales. At the end of the year, they released the soundtrack for the film adaptation of 1984, which received poor reviews and sales, despite the Top Ten U.K. placing of its single, Sexcrime (Nineteen Eighty-Four).

Released in the spring of 1985, Eurythmics' fourth album, Be Yourself Tonight, boasted a tougher, R&B-influenced sound and featured a duet with Aretha Franklin, Sisters Are Doin' It for Themselves. The duet became one of three hit singles from the album, in addition to Would I Lie to You? (number 17, U.K.; number five, U.S.) and There Must Be an Angel (Playing With My Heart) (number one, U.K.; number 22, U.S.). Revenge, released the following year, followed the R&B and soul inclinations of Be Yourself Tonight to a harder-rocking conclusion. Though the album peaked at number 12 in the U.S. and spawned the number 14 hit Missionary Man, its sales were noticeably weaker than its predecessor. In the U.K., the group was slightly more popular -- Thorn in My Side reached the Top Ten -- but it was evident that the group was past the point of its peak popularity.

As appropriate for a group passing their commercial pinnacle, Eurythmics began branching out into other areas. During 1985 and 1986, Dave Stewart produced a number of superstars, including Bob Dylan, Daryl Hall, Tom Petty, and Mick Jagger. Annie Lennox began a short-lived acting career, appearing in Revolution. Eurythmics reconvened in 1987 to release Savage, which was greeted with mixed reviews and weak sales. That same year, Stewart married Siobhan Fahey, a former member of Bananarama who had also appeared in the Love Is a Stranger video; she would later be a member of Shakespear's Sister, which was produced by Stewart. In 1988, Lennox had a hit duet with Al Green with Put a Little Love in Your Heart, taken from the Scrooged soundtrack. The following year, Eurythmics released We Too Are One, which sold well in Britain, reaching number one, but poorly in America, despite Don't Ask Me Why becoming their first Top 40 hit since Missonary Man. Furthermore, the reviews were decidedly mixed on the album.

Eurythmics quietly went on hiatus as of 1990, releasing Greatest Hits the following year. Lennox began a solo career in 1992, releasing Diva, an album that would eventually sell over two million copies. Stewart continued producing records and writing film soundtracks, as well as forming a band called Spiritual Cowboys. In 1995, he officially launched a solo career with the release of Greetings From the Gutter. Lennox and Stewart re-formed Eurythmics in 1999, releasing Peace, their first new studio album in a decade. ~ Stephen Thomas Erlewine, All Music Guide
Written by Stephen Thomas Erlewine

Book Eurythmics here!
Book Eurythmics for your next event! Would you like to have Eurythmics perform at your next corporate event, party or concert? Simply fill out the simple interest form below, and we’ll start the booking process.
 
First Name:   
Last Name: 
Email: 
Phone: 
Date Of Event:
(If Known)
Type of Event:  
Est. # of Attendees
City  
State / Region  

To prevent spam bots, please enter the code you see below in the box provided. Your message will not be sent without this code. 





Eurythmics Booking Agent
HOME | ABOUT US | BOOKING ENTERTAINMENT | CONCERT MANAGEMENT | EVENT PRODUCTION | PAST EVENTS | FAQ'S | NEWS | CONTACT US


Copyright 2000-2017 Entertainment Resource Group, Inc.

Consultation & Artist Info Packages fees are non-refundable. The information provided herein is the latest Artist Responsible Agent contact and historical information available to us. We research to make sure this is the most accurate information available. This information however, cannot be guaranteed due to potential changes in Artist representation or historical fees not yet published in the trade journals (see our www.entertainmentrg.com FAQ’s page for more details). Upon receipt of the information included in the Consultation & Artist Info Package, Buyer agrees that ERG has fulfilled its obligations under this agreement and releases ERG from any and all liability to the maximum extent allowed by law, and will indemnify and hold harmless ERG, its directors, officers, employees, and agents, from and against any and all claims arising from this agreement and subsequent event including but not limited to all third party claims, losses, damages, suits, fees, judgments, costs and expenses (collectively referred to as 'Claims'), including attorneys' fees incurred in responding to such Claims, that the parties may suffer or incur arising out of or in connection with (a) a party’s negligence, willful misconduct, or breach of any representation, warranty, or other obligation under this Agreement, or (b) any personal injury (including death) or damage to property resulting from a party or its agents' acts or omissions and standard force majeure. The parties will give prompt notice of any Claim to the other party, and the parties will defend the opposing party at their request. This Agreement will be governed by, construed and enforced in accordance with the laws of the State of NEVADA. (Tulip!)